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The
original city, like the present day one, was situated on the slopes of
the Monte Ginestro, the last foothills of the central Apennines. From
this position Palestrina could control the roads of travel and
communication between north and south, thus resulting in the city's
wealth and power. To understand Palestrina's history and culture, one
must simply look at the local monuments and archaeological ruins. They
indicate Palestrina's existence as early as the 9th century BC., and in
338 the city participated in the Latin war against Rome (which divested
Palestrina of part of its history, but led to the recognition of its
autonomy). Monuments from the middle ages give evidence that Palestrina
was ruled by the Colonna family who were at war with the Pope; and
Palestrina's Temple of Fortune was discovered only after bombardments in
the city centre during the Second World War. Over the years Palestrina
has been a cultural centre for artists and writers. In 1525 Giovanni
Pierluigi, the prince of polyphonic music, was born in Palestrina. In
1895/97 the Mann brothers, Thomas and Heinrich, visited Palestrina and
subsequently wrote about the lives and practices of the city's
inhabitants. The following sights and monuments are located in
Palestrina are of particular importance and interest
The Cathedral of Sant' Agapito The cathedral was dedicated to Sant' Agapito, a young Praenestino of the Anicia family and a follower of Christianity during the reign of Aureliano. The original nucleus of the church, consisting of squared tuff boulders date back to the 4th century BC, was constructed over ruins of a pagan edifice. It was located where the present day nave is situated. The 12th century Cardinal Conone commissioned the cathedral to be enlarged according to Roman style. Over the course of time, many other modifications were made, giving the cathedral its present appearance. Inside the cathedral there are paintings by Sermoneta, Siciolante and Bruschi, as well a a reproduction of the Pietà di Palestrina by Michelangelo
Start on Via
degli Arcioni, and walk up the incline to the town centre. The
much-changed Duomo with fragments of a Roman road at the top end of
the right aisle and a copy of Michelangelo's Pietà di Palestrina -
the original, is now in Florence. And the stepped streets of the
place are appealing enough for some casual strolling. But
climb to the top of the town for the main attraction - the Palazzo
Colonna-Barberini , which houses the Museo Nazionale Archeologico
Prenestino (daily 9am-1hr before sunset; €3 (pensioners get in free
- you'll need identification). Originally built in the eleventh
century and greatly modified by Taddeo Barberini in 1640, this
occupies the uppermost level of the Temple of Fortune, now largely
modernized inside and containing a slightly faded display of
artefacts. Among a number of Roman pieces, there's a torso of a
statue of Fortune in slate-grey marble, a recently found sculpture,
Il Triade Capitolina , other bits from the temple, and funerary
cistae much like those displayed at the Villa Giulia in Rome.
At the top, the museum's prize exhibit is the marvellous first-century BC Mosaic of the Nile , which depicts the flooding of the river with a number of Egyptian scenes of life along the waterway from the source to the delta. Look closely and you'll notice a wealth of detail: there's a banquet going on under the vines on the left, soldiers and priests are grouped in front of the Serepaeum on the right, while the source of the river among the mountains is pictured at the top of the mosaic, where hunters and wild animals, labelled with Greek lettering, congregate. Outside the museum, your ticket admits you to the top terrace of the temple, the ruins of which command fine views over the surrounding countryside.
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More on Palestrina - a useful link, including pictures
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